Jeet Thayil: The Boredom Artist, Moveable and Slumming in Bombay, Beelzebub

 

 

 

The Boredom Artist

 

Life, said Hobbes, is nasty, brutish and short.
He left out boring, as grim a condition as any.
His tigerish namesake's epiphany,
in 20-point captions, is a Sunday slot.
Then there's Chekov, who, a moment ago, wrote,

The earth is beautiful, as are all God's creatures,
only one thing is not beautiful, and that is us.
Between philosopher, toy tiger, doctor, there's
a ladder of land no man claims as his.
I'll settle down there with old friends, familiars:

a monkey, my famous barking birds in pairs,
and defrocked Sukhvinder, the bald brahmin bear.
Dawn, like whiskey, half-lights a watery world:
all things break down to flesh, food and fear.
It's late December in Fleetwood, downstate NY,

"glorious showers, thunderclouds continue".
My mind unwinds as the century slows,
dribbles its years to a whining close
and defunct days peddle the news.
Listen: nothing, not even love, is true.

 

 

 

 

Slumming in Bombay, Beelzebub

found himself at home. Finally, he
had a reason for lethargy.
Inert like everybody, unable to sleep,
he blamed the humidity.
No use to say, "But B,
that's what this city does: saps you,
leaves you spent like change,
separates the dudes from the ditties."
He was having none of it,
a tools-down, feet-up, none of it,
and then the boss arrived, unexpected,
on a Sunday.
But his boss -
now what? - had changed.
Hard as it was to believe,
she seemed kind, distracted, humorous,
endearing even.
The day she came to take him home
they were seen at the Hanging Gardens,
hand in hand, watching the dust bees
ride their pollen machines.
It was Christmas Day, just after dawn,
even the heat and humidity at peace,
it seemed, and Beelzebub's boss serene.