Touching Base, poems by Graham Burchell

    I

    It is a warm August day,
    the kind that I would like for my last,
    sucking it all in from the shade
    of a double swing seat.

    I am trying to recapture something,
    but cannot. Home is America now
    without pastel skies and clouds
    of my youth, of my forming.

    Texas is heat, space and isolation.
    Birds there have flame feathers.
    Green lizards snatch spiders unacquainted,
    unlike the breeze that strokes my legs again,

    that sweeps a dance of holly blue and white
    butterflies above dahlias and verbenas
    against crumbling trellis,
    against wall of bricks

    older than the dry bones of my forbears.

    I want to sigh into the hollow
    that separates memories
    of the Englishness that made me English,
    from the cynicism I wear these days
    like misted spectacles.

    II

    Grey mullets that entertained visitors in Barcelona
    followed me to Dawlish. It seems too humble
    to support such illustrious display, such regal flesh
    that taunts two fat fisher folk who dip and dab rag bait.

    Yet, by testing a narrow wedge over the boat ramp,
    these desirables appear to want to walk on land,
    to transfigure, to cross coterminous edge
    and interchange with their predators.

    An olive fan of dorsal fin cuts surface ripples – begs.
    Give me your strained back, your hirsute bloated skin
    burnt with blue tattoos. Let me walk with grinding knees
    and you may have my taut aerofoil of sleek agility.

    III

    The water in the pond is low, a sump,
    crowded with buckled lily leaves
    and two washed-magenta blooms.
    On a table, swollen onions brown
    for the garden show on Dawlish Lawn.
    A stone owl watches me with fogged eyes
    beneath sky I could not replicate
    as a schoolboy artist – too pale,
    with bits of cloud that ride the valley
    and out to sea like smoke signals.

    I look down slope of lawn, (crisp
    from an English drought this year),
    past mother’s sinking garden shed,
    over an alley with graffiti and ivy,
    beyond buff brick Masonic lodge
    and taller trees behind, waving summer coats
    in a sharp breeze to houses old and new,
    white or terracotta that hug the far slope
    with no more assuredness than stilted homes
    I saw by the Amazon of Peru,

    but here I am touching base,
    for every particle of fabric
    from loose shale that falls between fork tines,
    to layers of roofs and trees,
    sing to me with voices still ringing;
    the accents and attitudes of dead teachers,
    smoke-chaffed calls from my grandmother,
    my father’s disillusion coated with sarcasm
    or whispered words of new love
    mingled in blades of summer grass.



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