On a palanquin lofted
by four garlanded men,
the pot-bellied Elephant God
leads a seaward procession.
A believer cradling a small
earthen version of the god
mutters last-minute prayers,
supplications hurried to shore
by a trick of the wind.
"Ganapati, let the train come
that I may keep my job. Let my son
pass exams, my daughters marry
into good families."
Water slaps sand, the air clacks
with finger cymbals. The pilgrim
wades out waist-deep, the murti
in his elbow’s crook. He releases it
like a bad debt, a broken promise.
A pyune rushes into the train station
from a street strewn with obstacles.
He tugs the hands of a stopped clock
into a likely hour while outside, a flotilla of figurines streams by, streaked features
half- erased, trunks of clay dissolving.

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